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Artworks
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Collection of Asian and African Art (465)
Colour woodblock print (69)
painted in ink and colors (17)
Carving (14)
Painting (13)
Ink painting (11)
Painted in underglaze cobalt blue (8)
painted in underglaze cobalt blue (8)
Ink and colour painting (7)
Lacquer (7)
celadon glaze (7)
colour woodblock print (7)
polychrome paint (7)
cloisonné enamel (6)
Cloisonné enamel (5)
Painted in overglaze enamels and gold (5)
ink painting (4)
Golden lacquer (3)
Painted in overglaze enamel and gold (3)
Painted in underglaze cobalt blue and overglaze enamels and gold (3)
Painted in underglaze cobalt blue and overglaze red enamel and gold (3)
colors – gold (3)
painted in colors (3)
painted in colors and gold (3)
polychromy (3)
three-colour glaze (3)
white glaze (3)
Carved, inlaid (2)
Cloisonné enamels (2)
Cloisonné enamels on copper body (2)
Gilded (2)
Ink drawing (2)
Ink, colour and gold painting (2)
Ji sukashi (2)
Jibori sukashi (2)
Painted in overglaze famille rose enamels (2)
Painted in underglaze cobalt blue and overglaze red, green, yellow, black enamel and gold, bluish glaze (2)
Painting in underglaze cobalt blue (2)
Patina, Cloisonné enamel (pearl) (2)
Polychromy (2)
Polychromy, gilded (2)
casting, gilding (2)
gilding (2)
painted in ink, colors and gold (2)
Aventurine lacquer (1)
Beige cracked glaze, iron and copper oxides painting (1)
Black tenmoku glaze (1)
Carved (1)
Carving, inlay (1)
Cast by the lost wax technique (1)
Cast in ceramic mold (1)
Cloisonné enamel (copper body, silver wires) (1)
Cloisonné without hard core (shōtai shippō AKA plique-a-jour) (1)
Colour pigments painting (1)
Coloured and gilded woodblock print (1)
Coloured copper engraving (1)
Combined technique (golden and silver hiramakie and takamakie, raden style inlay) (1)
Crackled celadon glaze (1)
Cut, painted (1)
Cut, painted, inlayed (1)
Decorated with gold lacquer (1)
Enamel and gold painting on glaze (1)
Enamel painting (1)
Enamel painting, Ao-Kutani style (1)
Ferrous brown painting (1)
Gilded, lacquer (1)
Glazed (1)
Glazing (1)
Gold and silver lacquer (1)
Gold lacquer with metal and mother-of-pearl inlay (1)
Gold, black and red lacquer (1)
Gold-brown patina (1)
Green, blue and black underglaze painting, pink cover painting (1)
Heianjō zōgan, kebori (1)
Hiramakie, hyōmon (1)
Hiramakie, takamakie, nashiji, kirigane, tsukegaki and harigaki techniques (1)
Jibori sukashi and zōgan (1)
Ko sukashi (1)
Lacquer decorated in maki-e and rankaku-nuri techniques (1)
Lacquer decorated with hiramakie, usuniku takamakie, nunomenuri and nashiji techniques (1)
Lacquer, inlay (1)
Lacquer, polychromy (1)
Light blue glaze (1)
Marubori (1)
Marubori, takabori and mekki (1)
Molded (1)
Natural lacquer decorated in fundame, takamakie and raden techniques, led inlay zōgan and mother-of-pearl inlay raden (1)
Natural lacquer decorated in gold and silver hiramaki-e, usuniku takamaki-e, togidashi maki-e, kirigane, hyōmon, tsukegaki and nashiji (1)
Natural lacquer decorated in gold and silver hiramakie, nashiji, tsukegaki and harigaki techniques (1)
Natural lacquer decorated in gold and silver hiramakie, takamakie, tsukegaki, kirigane, nashiji and hirameji techniques (1)
Natural lacquer decorated in golden and silver hiramakie, tsukegaki, harigaki and nashiji techniques (1)
Natural lacquer decorated in hiramakie and tsukekagi techniques (1)
Natural lacquer decorated in hiramakie, takamakie, kirigane and nashiji techniques (1)
Natural lacquer decorated in hiramakie, togidashi makie, nashiji and bokashi techniques (1)
Over-glaze cobalt painting (1)
Owari sukashi (1)
Painted in copper red (1)
Painted in enamels and gold (1)
Painted in overglaze light and dark red, green, black enamels and gold (1)
Painted in overglaze red, green, black, yellow and thick white enamel and gold (1)
Painted in underglaze cobalt blue and overglaze enamels (1)
Painted in underglaze cobalt blue and overglaze red and black enamels and gold (1)
Painted in underglaze cobalt blue and overglaze red enamel and gold, blueish glaze (1)
Painted in underglaze cobalt blue and overglaze red, green and black enamel and gold (1)
Painted in underglaze cobalt blue and overglaze red, green and blue enamels and gold, enamels dating from the late Meiji or early Taisho period (1)
Painted in underglaze cobalt blue and overglaze red, green and yellow enamels (1)
Painted in underglaze cobalt blue and overglaze red, green, black enamel and gold (1)
Painted in underglaze cobalt blue and overglaze red, green, black, purple enamel and gold (1)
Painted in underglaze cobalt blue and overglaze red, green, blue, purple, black enamels and gold, greyish crackled glaze, unglazed bottom (1)
Painted in underglaze cobalt blue and overglaze red, green, yellow and blue enamels (1)
Painted in underglaze cobalt blue and overglaze red, green, yellow, black, purple enamel and gold, European brass mounting from late 18th century (1)
Painted in underglaze cobalt blue and overglaze red, light and dark green, black, pink enamel and gold (1)
Painted in underglaze cobalt blue and overglaze red, yellow and black enamel and gold (1)
Painted in underglaze cobalt blue, greyish glaze, partly gritty, partly run off, only partly applied on the inside (1)
Painting in brown pigment (1)
Painting in underglaze cobalt blue, deep bluish glaze, European metal mounting (1)
Patina (1)
Plastic silver inlays (1)
Polychromy on paper (1)
Polychromy, golden lacquer (1)
Raster, sukashi and jibori sukashi (1)
Sukidashibori and suritsuke zōgan (1)
Taka zōgan (1)
Takabori (1)
Takabori inoe takazōgan (1)
Under-glaze cobalt painting (1)
Under-glaze cobalt painting, enamel and gold over-glaze painting (1)
Underglaze cobalt painting, enamel and gold surface painting (1)
Underglaze cobalt painting, green, yellow, red and enamel surface painting (1)
White, partly greenish glaze (1)
Woven, hand knotted (1)
black glaze (1)
blue glaze (1)
bluish glaze, carved and engraved decor (1)
carved, painted (1)
cast and inlaid (1)
cast and refined (1)
cast, painted and lacquered (1)
casting, damascening (1)
coloured black and white woodblock print urushi-e (1)
lead glaze (1)
natural lacquer decorated in golden and silver hiramakie, takamkie, aogai and hyōmon (1)
painted in colours and gold (1)
painted in ferrous red (1)
painted in ink (1)
painted in overglaze famille verte enamels (1)
painted in underglaze cobalt blue and copper red (1)
painting in ink and pigments (1)
painting, brown glaze (1)
reddish oxidized porcelain body showing in the bottom part where the glaze meets the biscuit porcelain bottom (1)
sgraffito (1)
silver painting (1)
white crackled glaze (1)
„hare’s fur“ glaze (1)
Anonymous artist (115)
Anonymous (108)
Anonymous (Syria) (61)
Utagawa Kunisada (Toyokuni III) (50)
unknown (19)
Utagawa Kunisada (15)
Anonymous (Asia Minor) (7)
Katsushika Hokusai (5)
Utagawa Kunisada (Tojokuni III.) (3)
Akiyama (2)
Anonymous artist (imitator of Ogata Kenzan style) (2)
Kobayashi Sobei (2)
Qi Baishi (2)
Qi Baishi (1864-1957) (2)
Unknown (2)
Anonymous artist (European copy) (1)
Anonymous artist (Hayashi Kōdenji style) (1)
Anonymous artist (Heianjō (Kyōto) style) (1)
Anonymous artist (Kichisaburō) (1)
Anonymous artist (Kō – Shōami style) (1)
Anonymous artist (Nabeshima style) (1)
Anonymous artist (Namban school) (1)
Anonymous artist (Saotome school) (1)
Anonymous artist (Shōami school) (1)
Anonymous artist (probably the Sasaya workshop from the Sanjō street in Kyoto) (1)
Anonymous artist (style of Hayashi Kōdenji II) (1)
Anonymous artist (the Hayashi school) (1)
Anonymous artist: (Hizen – Namban style (Jakushi school)) (1)
Attributed to Qiu Ying (1)
Baidō (1)
Bokukei Kojima (1)
Chen Yunzhang (1909–1954) (1)
Chikuhō Matsumoto (1)
Fang Zhenguan (1679-1747) (1)
Gaboku Ogawa (1)
Hasegawa Sadanobu (1)
He Ruixiong (1)
Ichigyoku (1)
Isshi (1)
Jin Cheng (1878-1926) (1)
Jitokusai Gyokuzan (1)
Joun (Yamamoto Tamiko) (1)
Kanō Tan’yū (1)
Kanō Tsunenobu (1)
Katen (Kaidō) (1)
Katsushika Hokusai – attributed (1)
Katō Mokuzaemon II (1)
Kawanabe Kyōsai (1)
Kenryū Miyake (1)
Kindō Hayashi (1)
Kishi Ku (Ganku) (1)
Kyūha Ōtomo (1)
Michiko Honda (1)
Nakai Tomoyuki (1)
Nanryū Nagashima (1)
Norishige (1)
Okabe Sōfū (1)
Pu Ru (1)
Pu Ru (1896-1963) (1)
Reza Abbasi (circle) (1)
Rong Zuchun (1872–1944) (1)
Ryōsaku Motegi (1)
Seikai Kunii (1)
Seiyō Nagai (1)
Sekijin Kanō (1)
Shiba Kōkan (1)
Shunkai Bundō (1)
Tanaka Hōji (1)
Tankyū Sano (1)
Torii Kiyomasu II (1)
Toyoyasu (1)
Tōshūsai Sharaku (1)
Undó Inamura (1)
Unknown (after Zhang Zeduan) (1)
Unknown (attributed to Qiu Ying (c. 1494-1552)) (1)
Unknown (attributed to Wang Wei) (1)
Unsigned Tosa school painter (1)
Utagawa Kuniyoshi (1)
Utagawa Toyoharu (1)
Wu Changshi (1844-1927) (1)
Yoshiaki Kurosawa (Mito school) (1)
Yoshihiro (1)
Yoshimitsu (1)
Yu Fei’an (1)
Yu Fei’an (1889-1959) (1)
Zhou Zhimian (1521-? (active 1542-1606)) (1)
Zōshuntei Sanpo (1)
attributed to Qiu Ying (1)
attributed to Wen Zhengming (1)
paper (104)
Porcelain (37)
porcelain (28)
Wood (25)
stoneware (17)
basalt (15)
earthenware (15)
Ceramic (11)
bronze (11)
silk (11)
Ivory (9)
cotton (9)
Paper (8)
Stoneware (8)
Ceramic, slip (7)
wood (7)
Glass (6)
Iron (6)
Bronze (4)
Ceramic, red slip (4)
Ceramic, remnants of slip and red polychromy (4)
Ceramic, remnants of slip (3)
Ceramic, slip, engraving (3)
Copper (3)
Ink and colors on paper (3)
Ink and colors on silk (3)
Stone (3)
copper (3)
Alabaster (2)
Bronze inlaid with non-ferrous metals, wooden base (2)
Ceramic, red glaze (2)
Ceramic, remnants of red slip (2)
Ceramic, slip, paint (2)
Iron, gold (2)
Metal (2)
Paint and gold on paper (2)
Porcelain, brass (2)
Silk (2)
Wood, bone (2)
Wood, metal (2)
blanc de chine porcelain (2)
bronze – gold (2)
jade (2)
metal (2)
Bone (1)
Bronze inlaid in gold, handle of semi-precious stone (1)
Bronze, gold (1)
Ceramic, red polychromy (1)
Ceramic, remnants of white slip (1)
Ceramic, white slip and remnants of red polychromy (1)
Clay (1)
Copper sheet, natural laquer (1)
Copper, silver (1)
Earthenware (1)
Ebony, coral (1)
Horn (1)
Iron, brass (1)
Iron, copper, silver, brass (1)
Iron, gold, copper (1)
Ivory, glass, lacquer (1)
Paper, ink, paint, gold (1)
Paper, leather, ink, paint, gold (1)
Paper, paint, gold, ink (1)
Paper, silk (1)
Patinated Iron (1)
Patinated iron (1)
Porcelain with white glaze (1)
Porcelain, metal tap (1)
Red lacquer (1)
Shakudō (brass with admixture of gold or silver) (1)
Terracotta, slip (1)
Tortoiseshell (1)
Tortoiseshell, leather, linen, bone, metal, coral (1)
Whale dentin (1)
White metal (1)
Wood with fragments of polychrome paint and gilding (1)
Wood, brass (1)
Wood, gilding, colour pigment painting (1)
Wood, gilding, lacquer (1)
Wood, ivory (partially coloured), brass, iron details (1)
Wood, lacquer (1)
Wood, lacquer – copper, mother of pearl, gold, silver (1)
Wood, linen, copper fittings (1)
Wood, polychrome paint (1)
Wood, polychrome paint, metal, mother-of-pearl (1)
Wood, tin (1)
Wood, tin-rimmed edging on lid and box (1)
Wool (1)
black marble (1)
brass and bronze (1)
bronze – gold – lacquer (1)
bronze – silver – gold (1)
bronze – turquoise (1)
bronze, silver (1)
bronze, tin (1)
copper, bronze (1)
cotton and silk (1)
enamel (1)
iron (1)
ivory (1)
lacquer (1)
lacquer inlaid in mother-of-pearl (1)
marble (1)
polychrome earthenware (1)
porcelain with liver-red glaze (1)
stoneware with brown glaze (1)
wood – stucco – gold – lacquer (1)
wood, copper fittings, silk cords (1)
-3000
2025
only public domain
465 artworks
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Anonymous (Syria)
Flask with Horizontal Ribbing
Ca. turn of the Era
Anonymous (Syria)
Head of a Goddess / Woman
1. half of 1. millennium BCE (?)
Anonymous (Syria)
Lintel Slab, fragment
2.–4. century CE
Anonymous (Syria)
Ganymede, fragment
2.–3. century CE
Anonymous (Syria)
Standing Man
2.–3. century
Anonymous (Asia Minor)
Cup
Early 2. millennium BCE
Anonymous (Syria)
Axe
1. half of 2. millennium BCE
Anonymous (Syria)
Woman Holding Her Breasts, plaque fragment
8.–4. century BCE
Anonymous (Syria)
Arm, relief fragment
2.–3. century CE
Anonymous (Syria)
Balsamarium
1.–2. century CE
Anonymous (Asia Minor)
Idol, fragment
Late 3. millennium BCE
Anonymous (Syria)
Unguentarium
1. century CE
Katsushika Hokusai
Surimono with a Vase, Flowers and a Jug
ca 1820
Anonymous (Syria)
Head of a Woman with a Diadem, plaque fragment
8.–4. century BCE
Anonymous (Syria)
Pitcher
1. century BCE
Anonymous (Asia Minor)
Trefoil-mouth Pitcher
Early 2. millennium BCE
Anonymous (Syria)
Mortar
1200–1000 BCE
Anonymous artist
Standing Buddha Amida with a Gesture of Welcoming into the Western Paradise
19. century
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